"… Here is a fascist poster from the Second World War … Does it look like anything?.."
Instantly reminiscent of documentary photographs of Nazi shootings.
I watched a lot of archival “trophy” German photos and newsreels. And everyone who knows the topic of German executions, once looking at the poster, will instantly determine the same thing - the Germans are killing Poles.
And this is despite the fact that the poster depicts two faces of “red Russian executioners” - “Caucasian-Jewish nationality” and red “general's stars on the collar tabs”.
Outwardly, a caricature is affirmed a lie, and at the subconscious level the hidden truth is powerfully affirmed.
Very interesting how lies become true in this poster.
The Germans are trying to accuse the Russians of shooting the Poles and right there, "according to Freud," they involuntarily let slip that they did it themselves.
Let's see how they did it.
The German artist who carried out this order of propaganda of "Dr. Goebbels" is let down by his pedantry.
As an artist, I can guess how this "PR project" went.
The German artist - "white-ticket", himself, of course, did not fight and did not shoot, but he approached the topic with German thoroughness. He was given documentary photographs of German executions, it was a favorite hobby of the Germans - to be photographed during executions, executions, gallows.
This is some kind of pathological, purely German age-old "necrophilic" passion. In the art of executions and other executions, they had no equal in Europe.
Popular German photo story.
Here he is, a captured enemy, still alive: - a Jew, a Gypsy, a Pole, a Ukrainian, a Belarusian, a Russian, a Serb, a Frenchman, an Italian, etc., or else - a communist, commissar, partisan, saboteur, hostage, etc. Here the German put him on his knees and aimed at the back of the head, but bang - and the enemy, face down, died. Next … etc.
The Germans made many thousands of such "necroslideshows" during the war, they carried them with them in their pockets and sent them to girls by mail from the front. German girls liked heroes against the background of corpses.
The scene of the shooting from a pistol in the back of the head, point-blank, kneeling, humiliated enemy: Pole, Russian, Ukrainian, Serb, etc. - it was an absolute "artistic German stamp".
All Germans knew how to shoot correctly. That they could shoot in some other way, not in German, they simply did not guess.
The Katyn poster was made not for the Untermensch - the Poles, but to intimidate the Übermensch - the Germans, which is why it was replicated throughout Germany. And he worked great in German society.
The Germans are convinced only by the "correct German" work, and this is the only way to shoot. So on the Katyn poster, this is a typical German execution. And they all "read it subconsciously" at once, despite the external "red masquerade".
Now about the punctures in detail.
The Pole on the poster looks like "Pan Pilsudski" and is skilfully drawn. Confederate coat and overcoat, all the small details convince that this is a Pole. Apparently, the artist had before him real photographs of the executions of Polish officers, and drew from them. If you look in the "German trophy archives", I am sure that somewhere in England or America you will find photographs of real executions of Polish officers by the Germans.
Indeed, in 1941, the "Reds" were defeated and fled in panic, only a few months remained before the capture of Moscow, so the Germans were not shy with the Poles, just like with the Jews and the Communists. There are documentary photos - scenes of executions in Babi Yar, and there are also scenes of execution in Katyn. How else.
Germans are Germans - "iron order": there is always a case for the number, a photo, an exact plan on the ground, a full report and award lists of the best workers. You will see, soon they will be found.
There is a hope that the all-knowing "MAZOSAD" will hurry up and "help" its "sworn friends" - the Poles to find out the truth.
I am sure the German artist drew from a genuine documentary photograph of the Polish execution by the Germans, hence such accuracy in details, but there was no "Russian execution", so I had to paint the "gag."
He was ordered to draw evil "Russian" faces, that is, a Georgian and a Jew, and replace the German uniform with the Soviet one. Yes, and that the red stars were bigger.
The artist did everything as ordered, changed the form, painted brutal muzzles similar to "Stalin-Trotsky", his hands covered in blood above the elbow.
"Doctor Goebbels" liked it and was released into circulation. The poster was printed in large circulation, street format in chromolithography from lithographic stones in four colors. They hung posters in German cities in all the showcases under glass.
There is such a game "and what, children, the artist still lied here?"
Well, the first one. Who served in any army, he will immediately understand me.
The Pole on the poster, as the military would say, is in "winter uniform", that is, in an overcoat, and the poster also depicts winter - white snow, no grass and no leaves. This is confirmed by the excavated graves at Katyn. There are also Polish officers dressed in greatcoats and winter uniforms and they were shot by the Germans, in the winter or late autumn of 1941.
The artist here painted an involuntary, documentary truth - this is the winter "Katyn" shooting of Poles by the Germans.
And we are brazenly "forced" that they were killed by the "Reds" in the spring or summer of a peaceful 1940, and even in a recreation area on the territory of a pioneer camp near Smolensk? How would it smell "corpse" in all resorts in the summer of 1940?
And why, then, are the "red executioners" dressed on the poster not in winter uniforms, but in summer uniforms, in only "tunics"? What are these hot guys "at the open-hearth"? (By the way, the artist didn't see the tunic, that's why he painted it badly).
According to the "Soviet military regulations", if it is winter, then they should also be in greatcoats and winter hats with earflaps. Shooting in a moat is a round-the-clock work in the wind and frost, and the personnel must be protected. Here is a photo of the execution, where the Germans hang "Zoya" - so everyone is in greatcoats, and on the head - headphones, that's right, complete order, everything is according to the German charter.
It's even funnier further.
The "red executioner" has a holster from a German "Luger" painted on the belly on the left. Only the Germans wore a holster like that. And that, no one noticed that the "red" officers should wear a holster "in Russian" - on the right side and on the back "on jo …", and not in "German". Because according to the "Russian charter" it is supposed to be worn this way. Yes, and the Russian infantry officer had to crawl on his belly "on his bellies" if you want to live.
This puncture is easy to explain. In 1943, the Germans in Germany did not yet know what the "red commander" looked like, they saw it only a year later. Therefore, the image was created by looking at a German infantry officer.
The fact that the weapon and the holster should be "Soviet" on the poster, for some reason it did not occur to the German head. And the pistol - "Walther", although it sticks out of the corner of the hand, is drawn in the same exact way, from a photograph.
So what, they will say to me, everyone now knows that the "Reds" specially shot the Poles from the German "Walters"?
But only this fact was revealed, only after Burdenko's "red" commission in 1944, and before that none of the artists in Germany knew this. And the Germans tried to hide the very fact of the murder of the Poles from the German service weapon, which is why the corpses were so carefully prepared for the arrival of the "international commission", they cleaned the casings from the "Walters" and filtered other "material evidence".
Yes, but in the background, where there is no need to lie in details, the artist expressively made a masterful, truthful "sketch" - a sketch of silhouettes from a real "shooting" German photograph - "einsatzkommandos" at work.
What, a German artist suddenly drew - and again the "accidental" truth? No, he just honestly, in German, exactly followed the order and painted it as it was in the documentary photograph.
By the way, the portrait of a Pole officer was made realistically and clearly from a real photograph, and the faces of the “red executioners” are just caricatures and hack-work.
Therefore, such a contrast of details: the documentary truth of the German winter execution of a Pole in an overcoat and a deceitful, caricatured "red bullshit".
Guys, try to make a collage, instead of "red executioners" mount photographs of Germans in field uniforms. It's so easy, you don't even need to change the holster and pistol, everything is already drawn. The effect will be amazing, everything will immediately become true.
But it would be better to find and publish the original documents and photographs of the German executions of Poles in Katyn. And they are and are just waiting in the wings. The fact that this moment has already ripened is evidenced by all the latest mystical, tragic events.
And the Poles will have to quietly correct all this worldwide Polish "trash trust" - the monumental propaganda of "Katyn". Well, nothing, there is often enough just to change the dates from "1940" to "1941". We'll have to, of course, make excuses, say that they shouldn't have believed the "bitch Goebbels" and "the devil has beguiled the Churchill." Well, we, of course, will forgive them, or else how.
